Washington Post Examines Effect Of Fertility Treatments On African Women

�The Washington Post on Thursday examined the gist that prolificacy treatments in Africa are having on a growing number of middle family women world Health Organization are shunned by smart set because of their infertility. According to the Post, the stigma of infertility on the continent a great deal forces women into closing off, and it is "so severe that it a great deal drives women -- and men -- to suicide."

In the past few years, several fertility clinics have opened across Africa, including in Kenya and Uganda. The Post reports that the clinics offer an alternative to superstitious explanations of infertility and "dubious" advice from some traditional healers. Fertility physicians also ar revealing an "uncomfortable verity about a condition about always blasted on women: that at least half the time, the problem is with the man."

Annie Akatabaazi, wHO helps run a clinic in Uganda that treats thousands of women per annum, said, "The number of clients is going up by the day. Some ask to come at night, so they'll not be seen. Some call whispering. Sometimes they don't want to give you their name. They come saying, 'My husband is going to leave me if I don't hold children.' And the men, erst they notice out, they come every day. If they bear an appointment at 9 a.m., they picture up at 8" a.m.

According to the Post, the "deeply entrenched" culture of large families in Africa is related to economics. Children interpret financial security, particularly in societies that do not receive assistance from governments, the Post reports. Children are expected to provide for their parents when they get older, and they often protect women against a divorce system that typically grants prop to men. "In the African common sense, children ar an investment," Robinah Kaitiritimba -- a health guardianship advocate in Kampala, Uganda -- said.

The Post as well profiled Betty Apio, a Ugandan woman who has been unable to have children because of a botched abortion (McCrummen, Washington Post, 8/14).


Reprinted with kind permission from hTTP://www.nationalpartnership.org. You can scene the entire Daily Women's Health Policy Report, search the archives, or sign up for email pitch here. The Daily Women's Health Policy Report is a absolve service of the National Partnership for Women & Families, published by The Advisory Board Company.


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Download Grooverider

Artist: Grooverider: mp3 download    Genre(s):  Drum & Bass     Discography:      The Harder They Come    Year: 2002    Tracks: 15 Hardcore/drum'n'bass DJ and producer Grooverider has over the age go near synonymous with the London drum'n'bass setting. A DJ for over a x spinning everything from soul-jazz and acid-house to hip-hop and hardcore breakbeat, "Grooverider the Hardcore Provider," as he's come to be known, has followed the development of drum'n'bass up from its earlier roots in breakbeat techno and felicitous hard-core on through to contemporaneous styles such as ambient and techstep. A residing DJ at some of London's biggest-name clubs (including Rage and his have long-running, extremely lauded Metalheadz dark at Blue Note), Grooverider's influence, not solely on the reasoned but similarly the politics and ideology of jungle, is believably rivaled alone by Goldie's (and then with not near the flamboyance). A DJ since his former teens, Rider (born Roger Bingham) spun everything from acid out of work words and deep house with the South London Sound System and pirate station FAZE FM sooner landing spot a residence with Rage, an foundation of early-'90s hardcore thrown under the umbrella of London's biggest weekly, Heaven. Fired from an apprenticeship in accounting when he couldn't make it jibe with nights out spinning 'til 4 a.m., Grooverider went full-time with DJing when he was hired on at Rage, and began producing music curtly after. Rider recorded his first base tracks (as Codename John) for his fresh launched Prototype label in belated 1993, at the height of the reign of ragga and jump-up. Fusing breakbeat with elements of rave, blistering, and techno, Grooverider's approach on tracks such as "Dreams of Heaven" and "Deep Inside" pushed for a crossing over of jungle's to the highest degree important historic constituents -- hardstep, darkside, and the music's hardcore yesteryear -- an approach path presently popularized by supposed "techstep" artists such as Origin Unknown, Ed Rush, and Boymerang. In metre, Prototype would go synonymous with futuristic dancefloor drum'n'bass that notwithstanding refuses the conservativism most frequently associated with the dancefloor. Early releases on the label include Ed Rush's "Kilimanjaro," "Door" by Dillinja's Cybotron fancy, and Boymerang's monolithic "Still" (tracks from these releases all appear on Prototype's kickoff uncut release, The Prototype Years). Grooverider signed a non-exclusive recording parcel out with Sony underling Higher Ground in 1996 -- The Prototype Years was the kickoff fruit of that, followed in 1998 by his proper solo debut Mysteries of Funk. Prototype remains active as well.

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   Genre(s): 
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Discography:


   
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   Year: 2004   
Tracks: 2

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